Painted while working for USAID Peru (2009–13) and spending time in small Andean towns, this piece imagines the soldiers, priests, and outsiders who once crossed these mountain passes. It quietly questions whether our development efforts differed meaningfully from earlier journeys driven by ambition and belief.
Painted while working for USAID Peru (2009–13) and spending time in small Andean towns, this piece imagines the soldiers, priests, and outsiders who once crossed these mountain passes. It quietly questions whether our development efforts differed meaningfully from earlier journeys driven by ambition and belief.